Cultural Psychology Today: Innovations and Oversights

Abstract

Culture & Psychology has developed from a small start-up journal in 1995 into the key trend-setter in the field. This editorial analysis continues the tradition of inquiry started in previous efforts (Valsiner, 2001, 2004a) and extends it to the needs of psychology as a whole for the study of dynamic, meaning-making human beings. Cultural psychology—using the term culture as a generic term in various versions—continues to be an arena where innovations can occur. Separate research fields— such as the dialogical self, social representation processes, semiotic mediation, symbolic action, and actuation theories—have all been co-participants in this new advancement of ideas. Yet the central problem—an innovation of empirical research methodology which would appropriately capture human active meaning-making—has not been solved. Likewise, cultural psychology has only marginally touched upon the lessons from indigenous psychologies—the richness of folk psychological terms, and the cultural over-determination of objects used in human everyday living. Contemporary cultural psychology turns increasingly towards the study of objects as cultural constructs. Editing a journal is itself an act of construction of a cultural object, and the current state of contemporary scientific journals indicates a re-construction of the social nature of knowledge. Moving beyond its postmodernist and empiricist confines, psychology is set to return to the level of an abstracted generalization of its culture-inclusive theories. Culture—in terms of semiotic mediators and meaningful action patterns—is the inherent core of human psychological functions, rather than an external causal entity that has `effects' on human emotion, cognition, and behavior.