Affiliation:
1. Loyola University Chicago, USA
2. Independent Researcher, USA
Abstract
Cameo is part of a growing set of new media platforms trending toward direct routes for monetizing fame. Cameo allows fans to book personalized shout-out videos and provides celebrities—celetoids and reality stars in particular—access to new modes of income, which became increasingly important amid the pandemic. This research explores how the direct monetization of the fan-celebrity relationship is re-shaping the power dynamic of these parasocial relationships. Using digital ventriloquism as an analytical lens to study reality stars (e.g. Real Housewives) on Cameo, this study introduces the concept of paid puppeteering on digital platforms, defined as a form of digital ventriloquism in which a celebrity’s public persona is manipulated and incentivized through financial means on a paid digital platform for the illusion of close parasocial connections with fans. Paid puppeteering reinforces celebrities as gig workers as Cameo mitigates fan access to celebrities—for a fee.
Subject
Sociology and Political Science,Communication
Cited by
3 articles.
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