‘A polyphonic tale’: Arendt, Cavarero and storytelling in Sarah Polley’s Stories We Tell (2012)

Author:

Angeli Silvia1ORCID

Affiliation:

1. 0000000090468598University of Westminster

Abstract

This article proposes a reading of Sarah Polley’s Stories We Tell (2012) through the work of Hannah Arendt and Adriana Cavarero. Far from being a simple homage to her late mother Diane, Polley’s film is a ‘polyphonic tale’, a complex and multi-layered narrative which allows for an exploration of the many functions of (cinematic) storytelling. Highlighting the close link between relating narratives and personal identity, the film sheds light on both the innate desire for biography that characterizes us as human beings and the complex and dynamic relationship between storytellers and listeners. The way we tell stories affects the narrator(s), their audience and the fabric of the story itself in a process that ensures both continuity and change. Referring to Arendt’s notion of political storytelling, I conclude by suggesting that Stories We Tell, like the Greek polis, functions as an ‘organized remembrance’, a community whose purpose is to preserve fragile human deeds and words from oblivion.

Publisher

Intellect

Subject

Linguistics and Language,Philosophy,Communication,Language and Linguistics

Reference43 articles.

1. Memory’s chorus: Stories We Tell and Sarah Polley’s theory of autobiography;Senses of Cinema,2013

2. Hannah Arendt and the redemptive power of narrative;Social Research,1990

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