Sarah Polley’s take on the Me Too moment: adapting Women talking to the big screen

Abstract

Abstract This article discusses Sarah Polley’s 2022 film adaptation of Miriam Toews’ novel Women Talking (2018), inspired by a case of mass rapes in a Mennonite colony in Bolivia, as part of the Me Too moment; a new zeitgeist that has modified the conditions of reception for survivor testimony. We examine it as an audiovisual product that amplifies the resonance of the original text and contributes to the current wave of feminist testimonial practices about sexual violence, constituting an instance of narrative activism that promotes social change. Through our analysis of the dynamics of storytelling in the film, we prove that Polley’s cinematic strategies place emphasis on the women’s lived experiences and points of view, distilling the words of the book to capture the key elements of their discussion (forgiveness, justice, obedience, trauma, and structural violence) and, rarely but significantly, deviating from the original text to achieve her goal of female-centred focalisation. While scholars and survivors have described the battle over the narrative in rape cases, Polley does not leave room for it. In line with #MeToo, the movie takes an ethical listening stand, presenting female testimony as valid evidence. The question at stake is not whether the protagonists have been raped by the men of the colony, but what they are going to do about it; and, by extension, what the viewers are going to make of their story as told by themselves.