Historical mystery solved: a multi-analytical approach to the identification of a key marker for the historical use of brazilwood (Caesalpinia spp.) in paintings and textiles-Reference-Cited by-同舟云学术

Historical mystery solved: a multi-analytical approach to the identification of a key marker for the historical use of brazilwood (Caesalpinia spp.) in paintings and textiles

Published:2018 Issue:6 Volume:10 Page:617-623
ISSN:1759-9660
Container-title:Analytical Methods
language:en
Short-container-title:Anal. Methods

Author:

Peggie David A.¹²³⁴^ORCID,Kirby Jo⁵²³⁴,Poulin Jennifer⁶⁷⁸⁹^ORCID,Genuit Wim¹⁰¹¹¹²^ORCID,Romanuka Julija¹⁰¹¹¹²,Wills David F.¹³¹⁴⁴,De Simone Alessio¹³¹⁴⁴^ORCID,Hulme Alison N.¹³¹⁴⁴^ORCID

Affiliation:

1. National Gallery London

2. Scientific Department

3. London WC2N 5DN

4. UK

5. Formerly (now retired) of National Gallery London

6. Canadian Conservation Institute

7. Department of Canadian Heritage/Government of Canada

8. Ottawa ON K1B 4S7

9. Canada

10. Shell Global Solutions International B.V

11. 1031 HW Amsterdam

12. The Netherlands

13. EaStCHEM School of Chemistry

14. Edinburgh

Abstract

Brazilwood-derived pigments and dyes are found in many historical objects, from European paintings to North American First Nations textiles.

Publisher

Royal Society of Chemistry (RSC)

Subject

General Engineering,General Chemical Engineering,Analytical Chemistry

Link

http://pubs.rsc.org/en/content/articlepdf/2018/AY/C7AY02626A

Reference24 articles.

1. D. Cardon , Natural Dyes: Sources, tradition, technology and science , Archetype Publications Ltd , London , 2007 , pp. 274–289

2. E. Hermens and A.Wallert , The Pekstok Papers, Lake Pigments, Prisons and Paint-mills , in Looking Through Paintings: The Study of Painting Techniques and Materials in Support of Art Historical Research , ed. E. Hermens , A. Ouwerkerk and N. Costaras , de Prom and Archetype Publications , Baarn and London , 1998 , pp. 269–294

3. L. Monnas , Renaissance Velvets , V&A Publishing , London , 2012 , pp. 157–158

4. A New Methodology for the Characterisation of Natural Dyes on Museum Objects Using Gas Chromatography–Mass Spectrometry

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