Abstraction in art with implications for perception

Author:

Zimmer Robert1

Affiliation:

1. Goldsmiths Digital Studios, Goldsmiths College, University of London, Lewisham Way, New Cross, London SE14 6NW, UK ()

Abstract

The relationship between people and art is complex and intriguing. Of course, artworks are our creations; but in interesting and important ways, we are also created by our artworks. Our sense of the world is informed by the art we make and by the art we inherit and value, works that, in themselves, encode others' world views. This two-way effect is deeply rooted and art encodes and affects both a culture's ways of perceiving the world and its ways of remaking the world it perceives. The purpose of this paper is to indicate ways in which a study of abstraction in art can be used to discover insights into, to quote the call for papers for this issue, ‘our perception of the world, acquired through experience’ and ‘the way concepts are formed and manipulated to achieve goals’.

Publisher

The Royal Society

Subject

General Agricultural and Biological Sciences,General Biochemistry, Genetics and Molecular Biology

Reference29 articles.

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3. Arnheim R. 1969 Visual thinking. Berkeley and Los Angeles: University of California Press.

4. Bill M. 1965 Structure as art? Art as structure? In Structure in art and science (ed. G. Kepes) pp. 151-152. London: George Braziller.

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