Visitors in immersive museum spaces and Instagram: self, place-making, and play

Author:

Budge Kylie1

Affiliation:

1. Western Sydney University

Abstract

Visitors to museums are increasingly drawn to posting images online that document and reflect their experience. Instagram, as a social media platform, has a proliferating presence in this context. Do different kinds of public spaces within the museum motivate people to share particular types of posts? What kind of posts do visitors generate from digitally immersive spaces with an interactive focus? These questions were unpacked through an exploration of data generated from a digitally immersive, interactive public space – the Immersion Room at the Cooper Hewitt, Smithsonian Design Museum in New York. Findings indicate that constructs of self, place-making, and play constitute critical components of what occurs, and these aspects are amplified in immersive spaces leaving digital traces within social media. I argue that the intersection of immersive digital environments and visual social media platforms such as Instagram offer a moment to play with and subtlety reconstruct the self with place being a significant contextual frame for this activity. Implications extend and challenge perceptions and the role of both museums as public spaces and the ways in which visual forms of social media intersect with spaces and the people who use them.

Publisher

City Space Architecture

Reference58 articles.

1. Arias, Maria (2018) ‘Instagram Trends: Visual Narratives of Embodied Experiences at the Museum of Islamic Art’. Paper presented at MW18: Museums and the Web conference, Vancouver, Canada, 18-21 April.

2. Ash, James (2015) The Interface Envelope: Gaming, Technology, Power, London: Bloomsbury.

3. Ash, James (2017) Space, Time and the Politics of Smart Objects, London: Bloomsbury.

4. Australian Directors Guild (2011) Submission to the National Cultural Policy, October 2011.

5. http://creativeaustralia.arts.gov.au/assets/Australian_Directors_Guild.pdf

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