Abstract
Reexamining the famous collaboration between Mann and Adorno on Doctor Faustus (1947), Evelyn Cobley (University of Victoria, B.C.) argues that by incorporating Adorno's music theory Mann encouraged a reading of German fascism not as the belated eruption of insufficiently repressed atavistic impulses but as an early instance of a postmodern logic that, according to Adorno, undergirds both fascism and late capitalism.
Publisher
Edinburgh University Press
Subject
Literature and Literary Theory,Music,Sociology and Political Science,Visual Arts and Performing Arts,History,Cultural Studies
Cited by
5 articles.
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