1. Theodor Adorno, “Arnold Schönberg, 1874–1951”, in Samuel Weber and Shierry Weber (eds.), Prisms (Cambridge, MA: MIT Press, 1967), pp. 147–162.
2. Theodor Adorno, in Rolf Tiedemann (ed.), Notes to Literature, Volume 2 (New York: Columbia University Press, 1992).
3. Theodor Adorno, “Sacred Fragment: Schönberg’s Moses and Aron”, in Rodney Livingstone (ed.), Quasi una Fantasia: Essays on Modern Music (London and New York: Verso, 1998a), pp. 225–248.
4. Theodor Adorno, “Stravinsky: A Dialectical Portrait”, in Rodney Livingstone (ed.), Quasi una Fantasia: Essays on Modern Music (London and New York: Verso, 1998b), pp. 145–175.
5. Theodor Adorno, “On the Social Situation of Music”, in Richard Lepert (ed.), Essays on Music (Berkeley and Los Angeles: University of California Press, 2002), pp. 391–436.