Writing Rhythm: Movement as Method

Author:

Cancienne Mary Beth1,Snowber Celeste N.2

Affiliation:

1. Lesley University

2. Simon Fraser University

Abstract

As choreographers, dancers, and researchers, the authors explain how choreography and self-reflective writing inform qualitative practices such as articulating the importance of the self as a place of discovery within the research process. The authors use choreography to explore dance as a place of inquiry and the body as a site for knowledge and to examine how this awareness influences their interpretation of educational research. They conclude by discussing the problems and possibilities of this artful approach to educational research.

Publisher

SAGE Publications

Subject

Social Sciences (miscellaneous),Anthropology

Reference15 articles.

1. Aoki, T. (1993). Legitimizing lived curriculum: Towards a curricular landscape of multiplicity. Journal of Curriculum and Supervision, 8(3), 255-258.

2. Apol, L. & Kambour, T. (1999). Telling stories through writing and dance: An intergenerational project. Language Arts, 77(2), 106-117.

3. Educational Research and Intertextual Forms of (Re)Presentation: The Case for Dancing the Data

4. Blumenfeld-Jones, D.S. (1995). Dance as a mode of research representation. Qualitative Inquiry, 4, 391-401.

5. Brunner, D.D. (1996). Silent bodies: Miming those killing norms of gender. Journal of Curriculum Studies, 12(1), 9-15.

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