Visual Invention and the Composition of Scientific Research Graphics: A Topological Approach

Author:

Walsh Lynda1

Affiliation:

1. University of Nevada, Reno, Reno, NV, USA

Abstract

This report details the second phase of an ongoing research project investigating the visual invention and composition processes of scientific researchers. In this phase, four academic researchers completed think-aloud protocols as they composed graphics for research presentations; they also answered follow-up questions about their visual education, pedagogy, genres of practice, and interactions with publics. Results are presented first as narratives and then as topologies—visualizations of the communal beliefs, values, and norms ( topoi) that connect the individual narratives to wider community practices. Results point toward an ecological model of visual invention and composition strategies in the crafting of research graphics. They also suggest that these strategies may be underrepresented in scientists’ education. More explicit attention to them may help improve STEM visual literacy for nonexperts.

Publisher

SAGE Publications

Subject

Literature and Literary Theory,Communication

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1. Working to Resonate: Rhetorical Mapping of Disciplinary Stances about Technology, Risk, and the Brain;Technical Communication Quarterly;2022-07-26

2. Neuroaesthetics of Visual Invention: The Drawings of Santiago Ramón y Cajal in The Beautiful Brain;Visual Communication Quarterly;2022-04-03

3. Decolonizing the Color-Line: A Topological Analysis of W.E.B. Du Bois's Infographics for the 1900 Paris Exposition;Journal of Business and Technical Communication;2021-12-20

4. Is It Scientific? Viewer Perceptions of Storm Surge Visualizations;Cartographica: The International Journal for Geographic Information and Geovisualization;2021-06

5. Hybrid collectivity;Communication Design Quarterly;2020-12

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