Stepping Aside From Myself

Author:

Burton Suzanne L.1,Westvall Maria2,Karlsson Samuel2

Affiliation:

1. University of Delaware, Newark, DE, USA

2. Örebro University, Örebro, Sweden

Abstract

Preservice music teachers enter the profession with firmly held beliefs of what music education entails. With an increasingly diverse population of students in PreK–12 education in the United States and Sweden, a collaborative, intercultural immersion course was designed to challenge preservice music teachers’ beliefs. Twelve music education majors participated in the intercultural course. Data consisted of focus group discussions. With Bildung as a theoretical framework, the following five themes emerged: Beyond Tourism, Democracy and Classroom Management, Shared Experiences, Something to Bring Back, and Old Meets New. The intercultural immersion course provided a scaffold for the participants to consider what and why they teach the content that they do and the ramifications of making such decisions on their potential teaching practices of PreK–12 music students.

Publisher

SAGE Publications

Subject

Music,Education

Cited by 15 articles. 订阅此论文施引文献 订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献

1. Mobile Adaptation: Continuously Transforming Pedagogical Practice;Bulletin of the Council for Research in Music Education;2023-10-01

2. Classroom Management in K–12 Classroom Music: A Review of the Literature;Update: Applications of Research in Music Education;2023-04-04

3. Finding “Otherness” in Music and Pedagogy: A Critical Ontological Analysis of an Immersive International Music Education Exchange Program;Journal of Music Teacher Education;2022-09-16

4. Norm-disruptive learning and music teacher competency development: A thematic synthesis;International Journal of Music Education;2022-04-27

5. A Mixed-Methods Investigation of Migrating Music Teachers’ Job Fit;Bulletin of the Council for Research in Music Education;2022-04-01

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