‘Gadamerian platitudes’ and rational interpretations

Abstract

The article considers some of the methodological commitments - specifically, what Brandom calls ‘Gadamerian platitudes’ - defended in Tales of the Mighty Dead. I argue that, given his commitment to Gadamer’s model of dialogue and Vorgriff der Vollkommenheit (‘anticipation of completeness’), Brandom should also accept Habermas’ position on the ineliminability of the second-person or performative perspective concerning our interpretive claims.