Lived Experience Perspectives on Ableism Within and Beyond Music Therapists’ Professional Identities

Author:

Shaw Carolyn1,Churchill Victoria2,Curtain Sarah3,Davies Allison4,Davis Brede56,Kalenderidis Zoë5,Hunt Emily Langlois7,McKenzie Benjamin8,Murray Megan2,Thompson Grace Anne2ORCID

Affiliation:

1. New Zealand School of Music, Te Kōk , Wellington , New Zealand

2. The University of Melbourne , Melbourne, VIC , Australia

3. Sarah Curtain Music Therapy , Brisbane, QLD , Australia

4. Allison Davies PTY Ltd , Burnie, TAS , Australia

5. Private Practice , Melbourne, VIC , Australia

6. Melton Specialist School , Melbourne, VIC , Australia

7. Little Musical Caravan , Porirua , New Zealand

8. Nordoff-Robbins Music Therapy Australia , Sydney, NSW , Australia

Abstract

Abstract The 10 authors contributing to this reflective essay are comprised of music therapy practitioners, academics, and students with lived experience of disability, neurodivergence, or/and chronic physical and mental health conditions. We will discuss the impact of ableism in our music therapy work, both for participants and for music therapists. Beyond outright discrimination of people with disability, ableism is typically linked to an agenda to normalize and cure. In contrast, music therapists working from a position of post-ableist music therapy seek to collaboratively provide conditions and musical experiences that are less disabling and restrictive through addressing barriers and facilitating connections. We will discuss how including post-ableist perspectives might also create safer spaces for music therapists with lived experience of disability, neurodivergence, and/or chronic physical and mental health conditions. In this critical commentary, we wish to move from a deficit understanding of therapists with lived experience that is often implicit in codes of ethics and standards of practice, to one that celebrates the richness and knowledge that our experience brings. To embed post-ableist perspectives into our profession at all levels, we will discuss the implications for student training and supervision when accessibility is centered in practicum and classroom learning activities. In conclusion, we aim to make apparent the fact that therapists can and do come in all forms and with all backgrounds and that recognizing health diversity in our profession benefits us all.

Publisher

Oxford University Press (OUP)

Subject

Complementary and alternative medicine,Music,Applied Psychology

Reference33 articles.

1. Trauma, disability and the “wounded healer”;Abbott;Music and Medicine,2018

2. Can music therapy still be humanist?;Ansdell;Music Therapy Perspectives,2018

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