Beyond Married Love: Shaw, Stopes, and Female Desire in the Drama Between the Wars, 1923–1934
Publisher
Palgrave Macmillan US
Reference12 articles.
1. Chow, Karen. 1999. Popular Sexual Knowledges and Women’s Agency in 1920s England: Marie Stopes’s Married Love and E. M. Hull’s The Sheik. Feminist Review 63: 64–87.
2. Collins, Tracy J.R. 2013. Shaw’s Athletic-Minded Women. In Shaw and Feminisms: On Stage and Off, ed. D.A. Hadfield and Jean Reynolds, 19–36. Gainesville: University Press of Florida.
3. DeKoven, Marianne. 2011. Modernism and Gender. In The Cambridge Companion to Modernism, ed. Michael Levenson, 212–231. Cambridge: Cambridge University Press.
4. Gale, Maggie B. 1996. West End Women: Women and the London Stage, 1918–1962. London: Routledge.
5. Holden, Katherine. 2002. ‘Nature Takes No Notice of Morality’: Singleness and Married Love in Interwar Britain. Women’s History Review 11 (3): 481–503.