The Aesthetics of Gilda de Mello e Souza in Writings on Fashion and Brazilian Painting

Author:

Siqueira Franco Juliana

Abstract

This article aims to briefly present the aesthetic thought of Gilda de Mello e Souza, a Brazilian art critic, essayist and the first professor of aesthetics in the Philosophy course of Universidade de São Paulo in the 20th century. For this, it brings some excerpts from her works O Espírito das Roupas, that defends fashion as an art, and Pintura brasileira contemporânea: os precursores, focusing on Almeida Júnior’s paintings. Through these texts, it will also be possible to understand how her aesthetic thought is entwined with other areas of knowledge, when discussing anthropological, sociological and art history issues through the analyses of a singular object of art. Article received: April 19, 2021; Article accepted: June 23, 2021; Published online: October 15, 2021; Original scholarly paper How to cite this article: Franco, Juliana Siqueira. "The Aesthetics of Gilda de Mello e Souza in Writings on Fashion and Brazilian Painting." AM Journal of Art and Media Studies 26 (October 2021): 31-40. doi: 10.25038/am.v0i26.467  

Publisher

Faculty of Media and Communication

Reference13 articles.

1. Arantes, Otília and Paulo Arantes. Sentido da formação: três estudos sobre Antonio Candido, Gilda de Mello e Souza e Lúcio Costa. Paz e Terra: Rio de Janeiro, 1997.

2. Arantes, Otília. “Notas sobre o método crítico de Gilda de Mello e Souza.” Estudos Avançados 20, 56 (2006). doi:10.1590/S0103-40142006000100021.

3. Candido, Antonio. Os Parceiros do Rio Bonito. Rio de Janeiro, São Paulo: Ouro sobre Azul, Edusp, 2017.

4. Fabbrini, Ricardo. “Pintura e nacionalidade segundo Gilda de Mello e Souza.” Revista Valise 6, 12 (2016).

5. Galvão, Warnice, ed. A palavra afiada: Gilda de Mello e Souza. Rio de Janeiro: Ouro sobre o azul, 2014.

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