Affiliation:
1. 0000000122178588Tulane University
Abstract
A number of contemporary Mexican films have moved away from the direct portrayal of graphic violence on-screen, instead engaging with invisible, hard-to-represent aspects of systemic violence. This article brings together Deleuzian affect theory with cinematographic formalism to offer
a new methodological approach to violence in cinema that draws from the critic’s own body and gut feelings. Through a case study of Tatiana Huezo’s 2016 non-fiction film Tempestad/Tempest, it suggests that the affective work of the film occurs not in the first moment
of viewership, but rather after-the-fact by laying the groundwork for future resonances.
Subject
Visual Arts and Performing Arts,Communication,Cultural Studies
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Cited by
1 articles.
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