Affiliation:
1. 0000000088160949Montana State University Billings
Abstract
With the release of their seventeenth album of original music (Age of Unreason, May 2019), Bad Religion has reminded the public that their brand of punk rock is not, and has never been, simplistic, reductive or dismissible. While the language of variegated scientific fields provides
co-lyricists Greg Graffin and Brett Gurewitz a consistent trove of terms, concepts and imagery, Bad Religion also scrutinizes the past and draws out historical implications for their socio-political-religious commentary. Through an analysis of Bad Religion’s lyrics, especially focusing
on Age of Unreason, this article will argue that Bad Religion uses historical references as dire warnings, rhetorical devices and examples to instantiate their larger moral and philosophical principles. They seek to entangle the present and the past and reveal how narratives of ‘progress’
and American ‘exceptionalism’ are misleading. Bad Religion condenses revolutionary and reactionary historical events into sweeping generalizations of human (usually western) civilization, invoking idealized versions of historical periods (‘Dark Ages’ and ‘The
Enlightenment’). While their use of the past is often overgeneralized, Bad Religion examines human history as a record of choices and behaviours that matter to the only existence we have: material and mundane, not transcendental or supernatural.
Subject
Music,Visual Arts and Performing Arts,History,Cultural Studies
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2. Suffer’,1988b
3. It Must Look Pretty Appealing,1989a
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2 articles.
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