Being ordinary as a female pop star: Behind the scenes in musical documentary portraits of Jada and Beyoncé-Reference-Cited by-同舟云学术

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Being ordinary as a female pop star: Behind the scenes in musical documentary portraits of Jada and Beyoncé

Published:2021-09-01 Issue:3 Volume:11 Page:297-305
ISSN:2042-7891
Container-title:Journal of Scandinavian Cinema
language:en
Short-container-title:journal of scandinavian cinema

Author:

Haastrup Helle Kannik¹^ORCID

Affiliation:

1. 000000010674042XUniversity of Copenhagen

Abstract

By comparing two contemporary musical documentary portraits, the Scandinavian newcomer Jada in Jada ‐ lillebitte kæmpestor (‘Jada ‐ super tiny mega big’) (2019) and the global pop artist Beyoncé in Homecoming: A Film by Beyoncé (2019), the article examines how ‘being ordinary’ in behind-the-scenes sequences can be used as a marker of authenticity.

Publisher

Intellect

Subject

Visual Arts and Performing Arts

Reference30 articles.

1. A battle for public mythology: History and genre in the portrait documentary;Nordicom Review,2000

2. “I’m a free bitch baby”, a “material girl”: Interrogating audience interpretations of the postfeminist performances of Lady Gaga and Madonna,2015

3. The unwatched life is not worth living: The elevation of the ordinary in celebrity culture;PMLA,2011

Cited by 1 articles. 订阅此论文施引文献订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献

1. Being ordinary as a female pop star: Behind the scenes in musical documentary portraits of Jada and Beyoncé;Journal of Scandinavian Cinema;2021-09-01

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