Affiliation:
1. Norwegian University of Science and Technology
Abstract
The use of film in anti-tuberculosis campaigns dates back to at least the 1910s in Scandinavia and elsewhere. However, in the immediate wake of World War II, developments in mass public health screening necessitated a new wave of informational films that explained x-rays, Mantoux tests and Bacillus Calmette-Guérin (BCG) vaccination to the public. This article examines three such cases: first, Alle i fare! (All Endangered!) (Falk, Norway, 1948); second, a suite of films made in 1948 by Danish filmmaker Hagen Hasselbach for UNICEF for educational and fundraising purposes; and third, Medan det ännu är tid (‘While there’s still time’) (Martin Söderhjelm, Sweden, 1952). The films are contextualized within the broader history of anti-tuberculosis films and campaigns, as well as the circumstances of their commissioning and distribution. The article identifies a range of narrative and visual strategies that construct a new kind of national and global citizen whose body is made available and visible to public authorities for the collective good. In particular, it is argued that the (re)mediation of new mass screening technologies such as x-rays, skin tests and health data often make use of the properties of the projection screen, demonstrating the entanglement of medical and media technologies.
Subject
Visual Arts and Performing Arts
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3. F.N. Hjælpen rykker ud;Anon.;Berlingske Tidende,1948
4. Dagens Spegelbilder 12-6;Anon.;Dagens Nyheter,1952
Cited by
2 articles.
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