Separating two painting campaigns in Saul and David, attributed to Rembrandt, using macroscale reflectance and XRF imaging spectroscopies and microscale paint analysis-Reference-Cited by-同舟云学术

Separating two painting campaigns in Saul and David, attributed to Rembrandt, using macroscale reflectance and XRF imaging spectroscopies and microscale paint analysis

Published:2018-08-02 Issue:1 Volume:6 Page:
ISSN:2050-7445
Container-title:Heritage Science
language:en
Short-container-title:Herit Sci

Author:

Dooley Kathryn A.,Gifford E. Melanie,van Loon Annelies,Noble Petria,Zeibel Jason G.,Conover Damon M.,Alfeld Matthias,Van der Snickt Geert,Legrand Stijn,Janssens Koen,Dik Joris,Delaney John K.

Funder

Directorate for Mathematical and Physical Sciences

Netherlands Organisation for Scientific Research

Publisher

Springer Science and Business Media LLC

Subject

Archeology,Archeology,Conservation

Link

http://link.springer.com/content/pdf/10.1186/s40494-018-0212-3.pdf

Reference41 articles.

1. Gerson H. Catalogue no. 526, David playing the harp before Saul. In: Bredius A, revised by Gerson H. Rembrandt: the complete edition of the paintings. London: Phaidon; 1969. p. 602.

2. Stoner JH, Rushfield R, editors. Conservation of easel paintings. New York: Routledge; 2012.

3. De Vries AB, Tóth-Ubbens M, Froentjes W. Saul and David. In: De Vries AB, Tóth-Ubbens M, Froentjes W, editors. Rembrandt in the Mauritshuis: an interdisciplinary study. Alphen aan den Rijn: Sijthoff & Noordhoff; 1978. p. 149–65.

4. Slive S. Dutch painting 1600–1800. New Haven: Yale University Press; 1995.

5. Van de Wetering E. Catalogue no. 212, Rembrandt, Saul and David. In: Van de Wetering EA, editor. Corpus of Rembrandt paintings; Volume VI: Rembrandt’s paintings revisited: a complete survey. The Hague: Nijhoff Publishers; 2014. p. 211–3.

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