Kandinsky’s fragile art: a multidisciplinary investigation of four early reverse glass paintings (1911–1914) by Wassily Kandinsky
Author:
Funder
Volkswagen Foundation
Publisher
Springer Science and Business Media LLC
Subject
Archeology,Archeology,Conservation
Link
http://link.springer.com/content/pdf/10.1186/s40494-019-0268-8.pdf
Reference72 articles.
1. Bretz S, Baumer U, Stege H, von Miller J, von Kerssenbrock-Krosig D. A German house altar from the sixteenth-century: conservation and research of reverse paintings on glass. Stud Conserv. 2009;53(4):209–24.
2. Baumer U, Dietemann P, Koller J. Identification of resinous materials on 16th and 17th-century reverse-glass objects by gas chromatography/mass spectrometry. Int J Mass Spectrom. 2009;284:131–41.
3. Baumer U, Dietemann P. Identification and differentiation of dragon’s blood in works of art using gas chromatography/mass spectrometry. Anal Bioanal Chem. 2010;397:1363–76.
4. Baumer U, Fiedler I, Bretz S, Ranz HJ, Dietemann P. Decorative reverse-painted glass objects fromthe fourteenth to twentieth centuries: an overview of the binding media. Stud Conserv. 2012;57(sup1):9–18. https://doi.org/10.1179/2047058412Y.0000000034 .
5. Hahn O, Bretz S, Hagnau C, Ranz HJ, Wolff T. Pigments, dyes, and black enamel—the colorants of reverse paintings on glass. Archaeol Anthrop Sci. 2009;1:263–71.
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