Pigments, dyes, and black enamel—the colorants of reverse paintings on glass

Author:

Hahn Oliver,Bretz Simone,Hagnau Carola,Ranz Hans-Jörg,Wolff Timo

Publisher

Springer Science and Business Media LLC

Subject

Archeology,Anthropology,Archeology

Reference30 articles.

1. Bacci M, Magrini D, Picollo M, Vervat M (2009) A study of the blue colors used by telemaco signorini (1835–1901). J Cult Herit 10:275–280

2. Bretz S (1999) Maltechnik und glastechnik in der hinterglasmalerei 1600-1650, in: Farbige Kostbarkeiten aus Glas, Kabinettstücke der Zürcher Hinterglasmalerei 1600–1650, Munich/Zurich, pp 181–219

3. Bretz S (2003) Information on the history, technology, deterioration and restoration of reverse paintings on glass. In: Davison S (ed) Conservation and Restoration of Glass. Butterworth-Heinemann, Oxford, pp 54–59, pp 339–433

4. Bretz S, Baumer U, Stege H, von Miller J, von Kerssenbrock-Krosig D (2009) A German house altar from the sixteenth century: conservation and research of reverse paintings on glass. Stud Conserv 53(4):209–224

5. Dupuis G, Elias M, Simonot L (2002) Pigment identification by fiber-optics diffuse reflectance spectroscopy. Appl Spectrosc 56(10):1329–1336

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