Abstract
Abstract
Sharing the moment live, a built-in logic of many social networking sites, is, I claim, an invitation for creating plots, which has led to systematic practices. I single out taking a narrative stance on Facebook as such a practice and show the interplay between key-norms and evolving media affordances for pre-selection of story ingredients, localization, visualization of the experience, and audience selection. These contribute to showing the moment as opposed to telling it, with selected friends serving as knowing co-narrators and with story-linking allowing for allusive, transmedia links. I review these practices in the context of increased story facilities that notably bring together several social media apps. I argue that although this curation promises a move beyond the moment, it ultimately serves to consolidate sharing-lives-in-the-moment. I reflect on the implications of this for the direction of travel in relation to stories on many social media platforms.
Publisher
John Benjamins Publishing Company
Subject
Literature and Literary Theory,Social Sciences (miscellaneous),History,Education
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