Abstract
In order to explain what has happened in psychological aesthetics and the study of genius, a brief overview of the history of psychology since the nineteenth century is given. There has been a movement from grand theories and the beginnings of experimental aesthetics though behaviorism, which was a catastrophic era for the study of aesthetics, to a sort of renaissance marked by the emergence of cognitive psychology. Across the 25 years during which Empirical Studies of the Arts has been published there has been a consistent trend in psychological studies of aesthetics, creativity, and the arts. In the early years, studies were based upon a mélange of late behaviorist, early cognitive, and psychodynamic theories. This was followed by a period during which cognitive approaches were dominant. During the last decade there has been a very clear trend toward work based upon evolutionary psychology and neuroscience. Examples of some but far from all of the important work done during the last several decades are discussed.
Subject
Literature and Literary Theory,Music,Visual Arts and Performing Arts
Cited by
29 articles.
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