Sex-related communicative functions of voice spectral energy in human chorusing

Author:

Keller Peter E.12ORCID,Lee Jennifer3,König Rasmus4,Novembre Giacomo5ORCID

Affiliation:

1. Center for Music in the Brain, Department of Clinical Medicine, Aarhus University, Aarhus 8000, Denmark

2. The MARCS Institute for Brain, Behaviour and Development, Western Sydney University, Penrith South, Australia

3. Queensland Aphasia Research Centre, University of Queensland, Brisbane, Queensland, Australia

4. Saxon State Ministry for Culture, Germany

5. Neuroscience of Perception and Action Lab, Italian Institute of Technology, Rome, Italy

Abstract

Music is a human communicative art whose evolutionary origins may lie in capacities that support cooperation and/or competition. A mixed account favouring simultaneous cooperation and competition draws on analogous interactive displays produced by collectively signalling non-human animals (e.g. crickets and frogs). In these displays, rhythmically coordinated calls serve as a beacon whereby groups of males ‘cooperatively’ attract potential female mates, while the likelihood of each male competitively attracting an actual mate depends on the precedence of his signal. Human behaviour consistent with the mixed account was previously observed in a renowned boys choir, where the basses—the oldest boys with the deepest voices—boosted their acoustic prominence by increasing energy in a high-frequency band of the vocal spectrum when girls were in an otherwise male audience. The current study tested female and male sensitivity and preferences for this subtle vocal modulation in online listening tasks. Results indicate that while female and male listeners are similarly sensitive to enhanced high-spectral energy elicited by the presence of girls in the audience, only female listeners exhibit a reliable preference for it. Findings suggest that human chorusing is a flexible form of social communicative behaviour that allows simultaneous group cohesion and sexually motivated competition.

Funder

Australian Research Council

European Research Council

Danish National Research Foundation

Publisher

The Royal Society

Subject

General Agricultural and Biological Sciences,Agricultural and Biological Sciences (miscellaneous)

Reference81 articles.

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4. Mithen S. 2005 The singing neanderthals: the origins of music, language, mind and body. London, UK: Weidenfeld & Nicholson.

5. Cross I. 2012 Music and biocultural evolution. In The cultural study of music: a critical introduction (eds M Clayton, T Herbert, R Middleton), pp. 17-27. London, UK: Routledge.

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