Institutionalizing Beatmaking

Author:

Kattenbeck Chris1

Affiliation:

1. Universität zu Köln, Deutschland

Publisher

transcript Verlag

Reference60 articles.

1. Adams, Kyle. 2015. “The Musical Analysis of Hip‐Hop.” In Justin A. Williams (ed.). The Cambridge Companion to Hip‐Hop, Cambridge: Cambridge University Press, 118–134.

2. Attas, Robin and Margaret E. Walker. 2019. “Exploring Decolonization, Music, and Pedagogy.” Intersections, 39/1, 3–20.

3. Bell, Adam Patrick. 2016. “The Process of Production – The Production of Process. The Studio as Instrument and Popular Music Pedagogy.” In Ruth Wright, Betty Anne Younker, and Carol Beynon (eds.). 21st Century Music Education: Informal Learning and Non‐Formal Teaching Approaches in School and Community Contexts, Waterloo, ON, Canada: Canadian Music Educators’ Association, 243–262.

4. Brookfield, Stephen. 2009. “Self‐Directed Learning.” In Rupert Maclean and David N. Wilson (eds.). International Handbook of Education for the Changing World of Work. Bridging Academic and Vocational Learning, Wiesbaden: Springer Science+Business Media B.V., 2615–2628.

5. Brown, Andrew R. (ed.). 2012. Sound Musicianship. Understanding the Crafts of Music, Newcastle upon Tyne: Cambridge Scholar Publishing.

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