Raman Investigations on the Frame of the Painting “White Man’s Buffalo” by the Artist Charles M. Russell

Author:

Saggio Francesca1,Rizzuto Carmen12ORCID,Teeters Dale3,Didik Joanna4,Barberi Riccardo C.12ORCID,Castriota Marco12ORCID

Affiliation:

1. Department of Physics, University of Calabria, Ponte P. Bucci, Cubo 33B, 87036 Rende Cosenza, Italy

2. CNR-Nanotec c/o Department of Physics, University of Calabria, Ponte P. Bucci, Cubo 33B, 87036 Rende Cosenza, Italy

3. Department of Chemistry and Biochemistry, University of Tulsa, 600 S. College Ave., Tulsa, OK 74104, USA

4. Gilcrease Museum, 1400 N Gilcrease Museum Rd., Tulsa, OK 74127, USA

Abstract

The present work was a part of pre conservation treatment investigation. Micro-Raman Spectroscopy has been used for the characterization of a specimen belonging to the frame of the Gilcrease Museum oil painting “White Man’s Buffalo” by the artist Charles M. Russell. The main components of the Van Dyck Brown pigment (VDK) such as hematite (Fe2O3), α-goethite (α-FeOOH), amorphous carbon, and humic substances were identified by using two different excitation sources (514 and 633 nm). Traces of hematite and intercalated barite (BaSO4) were found and could come from the Armenian Bole that is commonly used in the water gilding technique of gold leaf. The use of a protein-organic binding medium such as rabbit-skin glue was indicated.

Publisher

MDPI AG

Subject

Fluid Flow and Transfer Processes,Computer Science Applications,Process Chemistry and Technology,General Engineering,Instrumentation,General Materials Science

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