Contribution to Controlled Method of Varnish Removal from Easel Paintings by ns Pulsed Nd:YAG Laser

Author:

Lopez Maxime12ORCID,Bai Xueshi2ORCID,Wilkie-Chancellier Nicolas1ORCID,Detalle Vincent123ORCID

Affiliation:

1. SATIE, Systèmes et Applications des Technologies de l’Information et de l’Energie, CY Cergy-Paris Université, CNRS UMR 8029, ENS Paris-Saclay, 5 Mail Gay Lussac, 95031 Neuville sur Oise, France

2. C2RMF, Centre de Recherche et de Restauration des Musées de France, 14 Quai François-Mitterrand, 75001 Paris, France

3. ITMO University, 197101 St. Petersburg, Russia

Abstract

Varnish removal from easel paintings is a restoration procedure that is regularly undertaken by cultural heritage conservators. In very few cases, traditional methods (chemical and mechanical) do not allow them to reach the goal of a perfectly controlled and selective cleaning. UV laser ablation has been considered since the 1990s to overcome these limitations, but its application to real cases is far from common practice. This study proposes a calibrated procedure based on ablation by an ns UV Nd:YAG laser at 266 nm combined with optical coherence tomography for micrometric laser varnish removal from inhomogeneous and highly photosensitive pictorial layers. The use of this wavelength for varnish removal, not adapted according to the literature, is discussed again after the beam shaping leading to a homogeneous and controlled intensity distribution. The innocuity is controlled by laser-induced luminescence, and some solutions for the transparency loss of the residual varnish following ablation are proposed.

Funder

French Ministry Research Program EquipEx PATRIMEX

ESR ESPADON-PATRIMEX

the Government of the Russian Federation

Fondation des Sciences du Patrimoine

Publisher

MDPI AG

Subject

Materials Science (miscellaneous),Archeology,Conservation

Reference27 articles.

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5. Zergioti, I., Petrakis, A., Zafiropulos, V., Fotakis, C., Fostiridou, A., and Doulgeridis, M. (1995, January 4–6). Laser applications in painting conservation. Proceedings of the Lacona I: Lasers in the Conservation of Artworks, Workshop, Heraklion, Greece.

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