Influence of Japanese Namban Lacquer in New Spain, Focusing on Enconchado Furniture

Author:

Kawamura Yayoi1ORCID,García Barrios Ana2

Affiliation:

1. Departamento de Historia del Arte y Musicología, Campus de Humanidades, Universidad de Oviedo, c/Amparo Pedregal s/n, 33011 Oviedo, Spain

2. Departamento de Artes y Humanidades. Edificio Maestro Rodrigo C/Infantas, Edificio Maestro Rodrigo C/Infantas, 55, 28300 Madrid, Spain

Abstract

This work studies one type of artistic production from the Viceroyalty of New Spain during the second half of the seventeenth century and the beginning of the following century. Furniture decorated with the technique of enconchado is studied to point out the influence of Namban lacquer as well as the relationship with enconchado painting, a better known and studied corpus than furniture, and also its link to Mexican lacquer, maque. The identification and study of three pieces of furniture that feature the enconchado technique, and a cross, probably decorated with maque, offer a complementary vision of the art of enconchado and allow us to consider enconchado furniture an independent artistic genre.

Funder

Agencia Estatal de Investigación of the Spanish Government

the Proyecto Puente of the University Rey Juan Carlos

Publisher

MDPI AG

Reference54 articles.

1. Curiel, G. (2007). Orientes y Occidentes: El Arte y la Mirada del Otro, Universidad Nacional Autónoma de México/IIE.

2. Marcos ‘enconchados’: Autonomía y apropiación de formas japonesas en la pintura novohispana;Anales del Instituto de Investigaciones Estéticas,2008

3. Donna, D., and Otsuka, R. (2009). Asia & Spanish America. Trans-Pacific Artistic & Cultural Exchange 1500–1850, Denver Museum.

4. Fróis, L., Pinto, J.A.A., Okamoto, Y., and Bernard, H. (1942). La Première Ambassade du Japon en Europe, 1582–1592, Sophia University.

5. Coleccionismo y colecciones de la laca extremo oriental en España desde la época del arte Namban hasta el siglo XX;Kawamura;Artigrama,2003

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