Mind the Doxastic Space: Examining the Social Epistemology of the Ethiopian Wax and Gold Tradition

Abstract

The wax and gold tradition is mainly known as an Ethiopian literary system that plays with layers of meanings. It has also established itself as a system of knowledge and/or belief production and validation. However, its social ramifications have presented scholars with conundrums that divide their views. For some, it is an Ethiopian traditional society’s crowning achievement of erudition—a poetic form that infiltrated communication, psychology, and social interaction. For others, it is a breeding ground for social vices, i.e., mutual suspicion, deception, duplicity, etc., because its autochthonous nature means it is inept in terms of modernizing and unifying the society. In this essay, I aim to argue that there is one critical historical element that holds the key to the conflicting social ramifications of the wax and gold system and, yet, is neglected by both sides of the debate: the original doxastic space of qine (poetry) and sem ena werq (wax and gold system)—a hermeneutic tool that deciphers the meaning of poems. This literary system was born in the space of worship and liturgy. I will contend, therefore, that a shift of doxastic space from sacred to saeculum (the world) is the reason not only for the behavior of doxastic agents but also for the social outcome of the knowledge they create.