The “One-Person Choir”: A Multidisciplinary Approach to the Development of an Embodied Human–Computer Interface
Author:
Affiliation:
1. Institute for Psychoacoustics and Electronic Music—Department of Musicology, Ghent University, Blandijnberg 2, 9000 Ghent, Belgium.
Publisher
MIT Press - Journals
Subject
Computer Science Applications,Music,Media Technology
Link
https://www.mitpressjournals.org/doi/pdf/10.1162/COMJ_a_00054
Reference33 articles.
1. Designing interaction, not interfaces
2. Communicating expressiveness and affect in multimodal interactive systems
3. Recognizing emotion from dance movement: comparison of spectator recognition and automated techniques
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2. Embodied, Participatory Sense-Making in Digitally-Augmented Music Practices: Theoretical Principles and the Artistic Case “SoundBikes”;Critical Arts;2018-05-04
3. What Is Embodied Music Cognition?;Springer Handbook of Systematic Musicology;2018
4. Dance-the-Music: an educational platform for the modeling, recognition and audiovisual monitoring of dance steps using spatiotemporal motion templates;EURASIP Journal on Advances in Signal Processing;2012-02-16
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