A Search for New Realities: Documentary Theatre in Germany

Author:

Irmer Thomas1

Affiliation:

1. Thomas Irmer has taught at Leipzig University (1992–1996) and at Freie Universität Berlin, John F. Kennedy Institut since 2003. From 1998 to 2003 he was Editor in Chief of the monthly Theater der Zeit, and from 2004 to 2006 Dramaturgical Advisor for the international theatre season at Berliner Festspiele. Books include Frank Castorfs Volksbühne (Theater der Zeit, 2003), Die Bühnenrepublik—Theater in der DDR (Alexander Verlag, 2003), Theater und Ritual—Luk Perceval (Alexander Verlag, 2005). He is author...

Abstract

There are three major periods of German documentary theatre: the emerging genre in the 1920s with the theatre of Erwin Piscator; the documentary drama in the 1960s; and, beginning in the late 1990s, the new forms of alternative and independent theatre that are highly experiential and question the conception and performance of historical discourses. In the context of German postwar social history, documentary theatre has contributed to the repoliticization of a society that is still processing catastrophic historical events.

Publisher

MIT Press - Journals

Subject

Literature and Literary Theory,Visual Arts and Performing Arts

Reference1 articles.

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