Postfictional Theatre, Institutional Aesthetics, and the German Theatrical Public Sphere
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Published:2023-06
Issue:2
Volume:67
Page:14-31
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ISSN:1054-2043
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Container-title:TDR: The Drama Review
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language:en
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Short-container-title:TDR: Drama Rev
Author:
Balme Christopher
Abstract
The traditional institutional split between theatrical organizations devoted to the “fictional” and mass media devoted to the “factual” is being challenged in German theatre. The move to the “postfictional” involves an institutional shift that affects theatre as a medium, and has provoked political and public resistance.
Publisher
Cambridge University Press (CUP)
Subject
Literature and Literary Theory,Visual Arts and Performing Arts
Cited by
2 articles.
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1. The World According to Herbert Fritsch;TDR: The Drama Review;2023-06
2. Sorry Not Sorry;TDR: The Drama Review;2023-06