Notation by Context: Digital Scenography as Artifact of Authorial Intent

Author:

Vincent Caitlin1,Vincent Jordan Beth2

Affiliation:

1. Caitlin Vincent (researcher), Deakin University, Faculty of Arts and Education, 221 Burwood Highway, Burwood VIC 3125, Australia..

2. Jordan Beth Vincent (researcher), Deakin University, Deakin Motion.Lab, Faculty of Arts and Education, 221 Burwood Highway, Burwood VIC 3125, Australia..

Abstract

Digital technology can be used as a scenographic tool to project visual settings in the theatrical space. However, digital scenography that incorporates “faux-interactivity,” or the illusion of a causal relationship between live performers and digital elements, can also serve as a form of notation that digitally preserves the physical movement of live performers through scenographic context. This paper explores the potential for faux-interactive scenography as a method of spatial notation through which scenographic environments might contribute to understandings of authorial intent in a traditionally ephemeral space.

Publisher

MIT Press - Journals

Subject

Computer Science Applications,Music,Engineering (miscellaneous)

Cited by 2 articles. 订阅此论文施引文献 订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献

1. A new classification system for digital scenography;Digital Scenography in Opera in the Twenty-First Century;2021-06-30

2. How do Dancers Want to Use Interactive Technology?;Proceedings of the 9th International Conference on Digital and Interactive Arts;2019-10-23

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