Performing Digital Aesthetics: The Framework for a Theory of the Formation of Interactive Narratives-Reference-Cited by-同舟云学术

Performing Digital Aesthetics: The Framework for a Theory of the Formation of Interactive Narratives

Published:2011-06 Issue:3 Volume:44 Page:212-219
ISSN:0024-094X
Container-title:Leonardo
language:en
Short-container-title:Leonardo

Author:

Brown Neil C.M.¹,Barker Timothy S.²,Del Favero Dennis³

Affiliation:

1. Neil C.M. Brown (art theorist), iCinema Research Centre, University of New South Wales, PO Box 259, Paddington, NSW 2021, Australia..

2. Timothy S. Barker (art theorist), iCinema Research Centre, University of New South Wales, PO Box 259, Paddington, NSW 2021, Australia..

3. Dennis Del Favero (artist), iCinema Research Centre, University of New South Wales, PO Box 259, Paddington, NSW 2021, Australia..

Abstract

Interactive narratives are inextricable from the way that we understand our encounters with digital technology. This is based upon the way that these encounters are processually formed into a narrative of episodic events, arranged and re-arranged by various levels of agency. After describing past research conducted at the iCinema Research Centre at the University of New South Wales, this paper sets out a framework within which to build a relational theory of interactive narrative formation, outlining future research in the area.

Publisher

MIT Press - Journals

Subject

Computer Science Applications,Music,Engineering (miscellaneous),Visual Arts and Performing Arts

Link

https://www.mitpressjournals.org/doi/pdf/10.1162/LEON_a_00165

Reference4 articles.

1. Theory of Mind and Experimental Representations of Fictional Consciousness

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