An Interview with Annette Vande Gorne, Part 2

Abstract

Abstract Annette Vande Gorne, renowned composer of electroacoustic music, discusses her multi-faceted career in a two-part interview. In this second part of the interview, Vande Gorne reveals her compositional strategy for her current project (her acousmatic opera Yawar Fiesta) as well as for other electroacoustic genres–notably, acousmatic works, mixed works, and sound installations. Vande Gorne also discusses the fundamental importance of the art of interpreting sound in space, and explains the instrument of interpretation (the acousmonium) and her use of it. Additionally, Vande Gorne reflects on her teaching, most recently at the Conservatoire Royal de Mons, Belgium, where she conceived a section of electroacoustic studies. During her tenure as professor of acousmatic composition, she has conveyed her personal artistic aesthetic alongside the French electroacoustic aesthetic to several generations of composers in Europe and beyond. Other topics in this part of the interview include Musiques & Recherches (Vande Gorne's center for electroacoustic music) and her well-known acousmatic festival L’Espace du Son.