Images in transformation: The color and its change in a group of Portuguese paintings from the second half of the 16th century-Reference-Cited by-同舟云学术

Images in transformation: The color and its change in a group of Portuguese paintings from the second half of the 16th century

Published:2022-06-18 Issue:6 Volume:47 Page:1358-1371
ISSN:0361-2317
Container-title:Color Research & Application
language:en
Short-container-title:Color Research & Application

Author:

Pinheiro de Melo Helena¹²^ORCID,Cruz António João¹³^ORCID,Sanyova Jana⁴,Valadas Sara¹²,Cardoso Ana Margarida¹²,Candeias António¹²

Affiliation:

1. HERCULES Laboratory University of Évora. Palácio do Vimioso Évora Portugal

2. City University of Macau Chair in Sustainable Heritage University of Évora Évora Portugal

3. Escola Superior de Tecnologia de Tomar Instituto Politécnico de Tomar Tomar Portugal

4. Polyhrome Artefacts Laboratory Royal Institute for Cultural Heritage (IRPA/KIK) Brussels Belgium

Funder

Fundação para a Ciência e a Tecnologia

Publisher

Wiley

Subject

General Chemical Engineering,General Chemistry,Human Factors and Ergonomics

Link

https://onlinelibrary.wiley.com/doi/pdf/10.1002/col.22809

Reference38 articles.

1. Instituto José de Figueiredo ed.Estudo da Pintura Portuguesa ‐ Oficina de Gregório Lopes: Actas do Seminário Internacional 11–12 Fevereiro 1999.Instituto José de Figueiredo;1999.

2. The colours of a 16th century panel painting, from the church of Pavia (Mora, Portugal), attributed to Francisco João

3. Problems of Analysis by FTIR of Calcium Sulphate-Based Preparatory Layers: The Case of a Group of 16th-Century Portuguese Paintings

4. The use of glass particles and its consequences in late 16th century oil painting: A Portuguese case based on the analytical results and the technical treatises

Cited by 3 articles. 订阅此论文施引文献订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献

1. Impressions of Guangzhou city in Qing dynasty export paintings in the context of trade economy: a color analysis of paintings based on k-means clustering algorithm;Heritage Science;2024-03-04

2. Non-invasive detection of lead carboxylates in oil paintings by in situ infrared spectroscopy: How far can we go?;Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy;2023-11

3. Paint, Colour, and Style: The Contribution of Minerals to the Palette of the Descent from the Cross, Attributed to the Portuguese Painter Francisco João (act. 1558–1595);Minerals;2023-09-08