The use of glass particles and its consequences in late 16th century oil painting: A Portuguese case based on the analytical results and the technical treatises-Reference-Cited by-同舟云学术

The use of glass particles and its consequences in late 16th century oil painting: A Portuguese case based on the analytical results and the technical treatises

Published:2020-05 Issue: Volume:43 Page:261-270
ISSN:1296-2074
Container-title:Journal of Cultural Heritage
language:en
Short-container-title:Journal of Cultural Heritage

Author:

Melo Helena P.,Cruz António João,Valadas Sara,Cardoso Ana Margarida,Candeias António

Funder

Fundação para a Ciência e Tecnologia

Publisher

Elsevier BV

Subject

Chemistry (miscellaneous),Conservation,Archeology,Spectroscopy,Materials Science (miscellaneous),General Economics, Econometrics and Finance

Reference50 articles.

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2. História da Arte em Portugal, vol. 7;Serrão,1986

3. Technical examinations of Titian's Venus and Adonis: a note on early Italian oil painting technique;Birkmaier,1995

4. The Castle Ashby Holy Family: a technical investigation and comparison with the technique of Sebastiano del Piombo;Dommermuth;Hamilton Kerr Inst. Bull.,2000

5. Raphael's Early Work in the National Gallery: Paintings before Rome;Roy;Natl Gallery Tech. Bull.,2004

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