The preservation, emulation, migration, and virtualization of live electronics for performing arts

Author:

Bonardi Alain1,Barthélemy Jérome1

Affiliation:

1. IRCAM, Paris, France

Abstract

Centers for electronic music creation now face strong difficulties to reperform important works considered as belonging to their repertoire. They realize the fragility of works based on electronic modules, subject to technology changes. Sustainability can be achieved in four different ways that are examined in this article: preservation, emulation, migration and virtualization. We discuss these issues, showing the first steps towards solutions at Ircam in the framework of the European project Caspar.

Funder

Sixth Framework Programme

Publisher

Association for Computing Machinery (ACM)

Subject

Computer Graphics and Computer-Aided Design,Computer Science Applications,Information Systems,Conservation

Reference14 articles.

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1. Weak Interactions, Strong Bonds: Live electronics as a complex system;Organised Sound;2023-01-16

2. Modéliser et représenter la création audio-numérique pour la pérenniser;Revue Francophone Informatique et Musique;2022

3. Encoding Post-Spectral Sound;Music Theory Online;2021-09

4. Extending Music Notation as a Programming Language for Interactive Music;ACM International Conference on Interactive Media Experiences;2021-06-21

5. Probing Gordon Mumma's Studio Heuristic through a Digital Recreation of Mesa (1966);Contemporary Music Review;2020-11-01

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