Mayan language revitalization, hip hop, and ethnic identity in Guatemala-Reference-Cited by-同舟云学术

Mayan language revitalization, hip hop, and ethnic identity in Guatemala

Published:2016-03 Issue: Volume:47 Page:144-153
ISSN:0271-5309
Container-title:Language & Communication
language:en
Short-container-title:Language & Communication

Author:

Barrett Rusty

Publisher

Elsevier BV

Subject

Linguistics and Language,Communication,Experimental and Cognitive Psychology,Language and Linguistics,Social Psychology

Reference46 articles.

1. Global Linguistic Flows: Hip Hop Cultures, Youth Identities, and the Politics of Language;Alim,2009

2. Roc the Mic Right: the Language of Hip Hop Culture;Alim,2006

3. Imagined Communities: Reflections on the Origins and Spread of Nationalism;Anderson,1983

4. Language and the three spheres of hip hop;Androutsopoulos,2009

5. B'alam Ajpu. 2015a. B'atz'. Jun Winaq Rajawal Q'íj/Tributo a los 20 Nawales (musical CD). Venancio Morales: spritual guide, Tz'utu Baktun Kan: executive producer and Tz'utujil lyrics, MChe: Spanish lyrics, Dr. Nativo: musical produces, Sotz'il Jay: additional sampled sounds, Básico 3: co-producer.

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1. Theorizing Intimacies and Articulation in Nigerian Hip Hop Music;Journal of Asian and African Studies;2023-07-17

2. Social perceptions of /f/ fortition in Guatemalan Spanish;Spanish in Context;2023-04-17

3. Considerations in Utilizing Translanguaging Practices to Meet the Language Needs of Maya Children in U.S. Schools;Language, Speech, and Hearing Services in Schools;2023-04-03

4. ‘We are Indigenous people, not primitive people.’: the role of popular music in Indigenous language revitalization in Taiwan;Current Issues in Language Planning;2022-11-13

5. Hip-Hop and the Decolonial Possibilities of Translingualism;College Composition & Communication;2022-02-01