Introduction

Author:

Andersen Tore Rye1,Kjerkegaard Stefan1,Stougaard Pedersen Birgitte1

Affiliation:

1. Aarhus University

Abstract

Abstract The digitization of the publishing business has provided publishers with new media and new means of distribution, which in turn have created new modes of reading. The impact of the digital revolution on the production and distribution of literature has already been widely discussed, but much less has been written about how current media developments have affected reading and readers. A central thesis of this special issue is that the phenomenon of reading should be studied from various disciplinary perspectives. Reading as a phenomenon evolves in the intersections among media developments, literary trends, and social practices. By bringing together scholars from literary theory, media studies, aesthetics, anthropology, psychology, and linguistics, the special issue explores different perspectives on how the technological, sensorial, cognitive, participatory, and aesthetic aspects of reading have evolved in recent decades. Reading practices are changing rapidly in close conjunction with the evolving formats in which literature is distributed to its readers. The purpose of the special issue is to provide a forum in which to rethink existing categories and challenge prevalent notions of reading.

Publisher

Duke University Press

Subject

Literature and Literary Theory

Reference52 articles.

1. Black Box in Flux: Locating the Literary Work between Media;Andersen;Northern Lights,2015

2. Staggered Transmissions: Twitter and the Return of Serialized Literature;Andersen;Convergence,2017

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4. Writing Digital: Practice, Performance, Theory;Ashton;Convergence,2017

5. What We Mean by Reading;Auyoung;New Literary History,2020

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