Korku Filmlerinde “Şeytan”dan 2000’lere Değişmeyen Kadın İmgesi: “Şeytan Çarpması” Filminin Feminist Eleştirisi

Author:

SEPETCİ Tülin

Publisher

Afyon Kocatepe Universitesi Sosyal Bilimler Dergisi

Reference31 articles.

1. Armstrong, E. (2020). “Marxist and Socialist Feminism.” Study of women and gender: Faculty publications, Smith Scholar Works, https://scholarworks.smith.edu/cgi/viewcontent.cgi?article=1014&context=swg_facpubs (Erişim tarihi: 22.01.2021).

2. Bond, J. C., Roberts, S. C. M., Greenfield, T. K., Korcha, R., Ye, Y. ve Nayak, M. B. (2010). “Gender differences in public and private drinking context: A multi-level GENACIS analysis”. International Journal of Environmental Research and Public Health, 7, 2136-2160.

3. Boyacı, N. P. (2014). “Platon’da kadın sorunu üzerine bir tartışma.” Felsefe ve Sosyal Bilimler Dergisi, 18, 205-230.

4. Clover, C. J. (1987). “Her body, himself: Gender in the slasher film.” Representations, 20, Özel Sayı, Misogyny, misandry, and misanthropy, 187-228, ABD: University of California Press.

5. Creed, B. (2007). The monstrous-feminine, New York ve Londra: Routledge.

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