Tonal Pairing and Monotonality in Instrumental Forms of Beethoven, Schubert, Schumann, and Brahms
Author:
Publisher
Oxford University Press (OUP)
Subject
Music
Link
http://academic.oup.com/mts/article-pdf/35/1/77/6212049/35-1-77.pdf
Reference46 articles.
1. Schubert's Experiments with Sonata Form: Formal-Tonal Design versus Underlying Structure
2. The End of Die Feen and Wagner's Beginnings: Multiple Approaches to an Early Example of Double-Tonic Complex, Associative Theme and Wagnerian Form
3. The A??C?E Complex: The Origin and Function of Chromatic Major Third Collections in Nineteenth-Century Music
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