The A??C?E Complex: The Origin and Function of Chromatic Major Third Collections in Nineteenth-Century Music

Author:

BRIBITZER-STULL MATTHEW

Publisher

Oxford University Press (OUP)

Subject

Music

Reference45 articles.

1. Chord as Motive: The Augmented-Triad Matrix in Wagner's 'Siegfried Idyll'

2. Bailey, Robert. 1977. "The Structure of the Ring and its Evolution." 19th-Century Music 1: 48-61.

3. - 1985. "An Analytical Study of the Sketches and Drafts." In Richard Wagner: Prelude and Transfiguration from Tristan und Isolde. Edited by Robert Bailey. New York: W. W. Norton and Company, 113-46.

4. Beach, David. 1997. "The Submediant as Third Divider: Its Representation at Different Structural Levels." In Music Theory in Concept and Practice. Edited by James Baker, David Beach, and Jonathan Bernard. Rochester: University of Rochester Press, 309-35.

5. Bribitzer-Stull, Matthew. 2006. "The End of Die Feen and Wagner's Beginnings: Multiple Approaches to an Early Example of Double-Tonic Complex, Associative Theme, and Wagnerian Form." Music Analysis, forthcoming.

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