Parallelism and Antithesis: Structural Principles in the Mind and in Literature from a Chinese Perspective

Author:

Longxi Zhang

Abstract

Roman Jakobson famously defined poetry as pivoting on the metaphorical axis with parallelism as a major feature, and James Kugel argues that parallelism is the defining feature of biblical poetry. The parallel structure – including its variations of symmetry and antithesis – is crucial for classical Chinese poetry. In drawing on both Chinese and Western critical views on the symmetrical structure of parallelism and antithesis, this paper will explore the relationship between the cognitive and linguistic correlation in the formation of parallel structure in literary language, particularly poetry, and argue for the basis of parallelism as deeply embedded in the mind and manifested in literary expressions.

Publisher

Cambridge University Press (CUP)

Subject

Political Science and International Relations,Geography, Planning and Development

Reference20 articles.

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2. Liu, X 劉勰 (1958) Wenxin diaolong zhu 文心雕龍註 [The Literary Mind or the Carving of Dragons with Annotations], Vol. 2. Beijing: Renmin Wenxue.

3. Ruan, Y (ed.) (1987) Mao shi zhengyi 毛詩正義 [The Correct Meaning of the Mao Text of the Book of Poetry], Shisan jing zhushu 十三經註疏 [The Thirteen Classics with Annotations], Vol. 1. Beijing: Zhonghua Shuju.

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