Russia's Post-Soviet Ideological Terrain: Zvyagintsev'sLeviathanand Debates on Authority, Agency, and Authenticity

Abstract

Much of the literature on post-Soviet ideology interprets ideology as the content of state-sponsored doctrines or measures it via persistent strands in public opinion. This paper relies on a different notion: we think of societal and state perspectives as engaged with each other in a contentious dialogue that is constitutive of ideology. With this dialogic conception of ideology, this paper provides a map of Russia's ideological terrain through an analysis of the debates surrounding Andrey Zvyagintsev's 2014 filmLeviathan.We show that the film and the debates it provoked engaged with state-sponsored narratives and highlight three key themes of ideational contestation in contemporary Russian politics: authority, agency, and authenticity. An examination of these ideational battles in which provocative and resonant societal critiques challenge dominant narratives provides an original account of ideology in contemporary Russia. It also speaks to debates on civil society that have increasingly become interested in ideational politics.