Abstract
The profound silence that followed immediately after the 4 June massacres in 1989 was short-lived. As it became clear that the regime would stay in power, writers reacted as opportunity and circumstances allowed. Dissident writers associated with the protest movement were in danger of arrest and imprisonment: Duo Duo only just managed to get his flight to London on 4 June, joining those like Bei Dao who were already abroad and had no choice but to remain. Writers in high positions were also vulnerable: Wang Meng was forced to resign as Minister of Culture in 1989 and dropped from the Party's Central Committee at the 1992 Party Congress. Less prominent writers waited for a more propitious time to publish; younger writers barely paused.
Publisher
Cambridge University Press (CUP)
Subject
Political Science and International Relations,Development,Geography, Planning and Development
Reference33 articles.
1. Wang , Running Wild, p. 255.
2. Disappearing women and disappearing men in may fourth narrative: a post‐feminist survey of short stories by Mao Dun, Bing Xin, Ling Shuhua and Shen Congwen
3. Misogyny, Cultural Nihilism, and Oppositional Politics: Contemporary Chinese Experimental Fiction (Stanford: Stanford University Press, 1995).
4. Wang Jing , High Culture Fever, pp. 268–270.
5. Martin , “‘Cultural China’,” p. 295.
Cited by
3 articles.
订阅此论文施引文献
订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献