Utilizing Satire in Post-Deng Chinese Politics

Author:

Gao Jia1,Pugsley Peter C .2

Affiliation:

1. Asia Institute at the University of Melbourne, Australia

2. University of Adelaide, Australia

Abstract

Although China's institutional campaign against the Falun Gong has been closely observed and analyzed, researchers have failed to take note of the subversive power of satire utilized in the comic theatrical skits ( xiaopin) of popular comedian Zhao Benshan to ridicule the Falun Gong. This exemplifies the Chinese Communist Party's long-established political practice of “educating the masses.” Based on an analysis of what are now commonly referred to as “Zhao Benshan xiaopin” and their perceived impact on the Falun Gong issue, this article examines how satirical power in post-Deng Chinese politics has been employed, and it outlines the key features of the practice. This article reviews the use of satire as a political weapon in contemporary Chinese politics, before turning to focus on four relevant Zhao Benshan xiaopin and the way in which they create popular metaphors for propagating official views in the anti-Falun Gong campaign.

Publisher

SAGE Publications

Subject

General Economics, Econometrics and Finance,General Social Sciences,General Arts and Humanities

Cited by 10 articles. 订阅此论文施引文献 订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献

1. How vernacular languages create humour on China’s social media: a linguistic and multimodal analysis;International Journal of Multilingualism;2024-07-22

2. Those Who Left and Those Who Stayed: Zhao Benshan’s Comedy Sketches in the Spring Festival Gala and Their Impact on the Regional Stereotypes of North-East China;Identity, Space, and Everyday Life in Contemporary Northeast China;2024

3. Dongbei Errenzhuan Under Economic and Ideological Dual Censorship;Understanding CCI through Chinese Theatre;2023-12-14

4. Xiangsheng 1976–2000;Xiangsheng and the Emergence of Guo Degang in Contemporary China;2020

5. Xiangsheng in the People’s Republic of China, 1949–1976;Xiangsheng and the Emergence of Guo Degang in Contemporary China;2020

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