Abstract
While modern rational thinking has developed complex methods for calculating and managing risk, the better forecast and prepare for the future, certain modern performance practices have embraced the element of risk. In this article I interrogate this phenomenon, offering a distinction between risk-taking in modernist and postmodernist performance. Whereas in the former risk serves to transcend the representational aspects of performance, in the later it is banalized, revealing its inevitability in both performance situations and everyday life.
Publisher
Cambridge University Press (CUP)
Subject
Literature and Literary Theory,Visual Arts and Performing Arts
Cited by
2 articles.
订阅此论文施引文献
订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献